Sneakers

Sneakers

For those of you who don’t know me, I was born at the tail end of 1978. I guess 39 years really isn’t that long ago in the grand scheme of things, but from a technological point of view, it was prehistoric times. The first video games I played were on the Atari 2600, my family didn’t own a phone that wasn’t attached to the wall until I was in middle school, and we didn’t have a cell phone until I was 18. The first computer we had (a top of the line custom desktop) could have held about 50 songs on its entire hard drive, if mp3 files existed at the time—and they didn’t. Our second PC was able to connect to the internet after a few minutes of the modem making screeching and scrunching sounds, and no one else could use the phone while someone else was online. And then things started changing. They changed really fast. And now, 20 years later, it takes only a few seconds to see what people are doing on the other side of the planet. The barriers of global communication—which at one time included things like oceans, and mountains, and long-distance fees, no longer exist. Information availability is nearly without limit.

And 26 years ago, a quaint little film called Sneakers predicted this would happen. Three years before, Phil Alden Robinson had directed Field of Dreams, which is essentially a parable about Kevin Costner and James Earl Jones building a sacred temple in the form of a baseball field. Sneakers was Robinson’s follow-up, and even though it’s basically a heist film veiled in several other genres, it’s also a parable—a parable about the power of information in the digital age. It definitely has some fantastical plot elements, but in the two and a half decades since its release, it’s proven to be remarkably prophetic in regards to some of its ideological warnings concerning information technology. As the villain of the story, played by Sir Ben Kingsley states so eloquently to his protagonist Robert Redford: “The world isn’t run by weapons anymore, or energy, or money. It’s run by little 1s and 0s, little bits of data… there’s a war out there; a world war. And it’s not about who’s got the most bullets, it’s about who controls the information—what we see and hear, how we work, what we think—it’s all about the information.

Side Note: James Earl Jones makes a cameo appearance in this movie, and he has the best lines…

But all heaviness and ideological gravitas aside, Sneakers is just a really fun movie. It reminds me a lot of Ocean’s Eleven—it has a similar feel to it. And like Ocean’s Eleven, what really makes it a great film are the characters, their uniqueness, and how well their personalities ping-pong off each other. I don’t want to give too much away, but let me break down the team dynamic for you: There’s Sydney Poitier, the ex-CIA operative who functions as the co-leader of the team along with Robert Redford. He’s often roped into verbal sparring matches with Dan Aykroyd, who plays a technical genius obsessed with conspiracy theories. The heart of the team is David Strathairn who plays a blind computer hacker named Whistler. I’m not going to tell you why he’s the heart of the team—you just have to watch it. Then there’s Carl, played by the late River Phoenix in one of his last roles—he plays… well, he plays a kid named Carl. And finally, last but not least, is Mary McDonnell (Stands With A Fist), playing the intelligent, quick-thinking, quick-witted, token female who’s obviously just had enough with all these dudes running around getting into trouble.

Movies about teams of people saving the world are pretty common these days, but if you want to watch something different, look no further than Sneakers—a film about a group of small business entrepreneurs (without superhuman abilities, without guns, and without Denzel Washington), that end up saving the world all the same. If you’ve never had the chance to behold this forgotten treasure from 1992, it’s currently streaming on Amazon Prime.

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